Calendar 20022003

|
- September 13
- October 20
-
- Opening Reception:
- Friday
- September 13
- 7:3010:00 pm
-
-
|
- Greater Philadelphia: Work by Emerging Philadelphia Artists
-
- Paley and Levy Galleries
-
- This informal survey is intended as a snapshot of artists who are at or near the beginning of their careers. Curators from the Galleries at Moore, the Philadelphia Museum of Art, the Institute of Contemporary Art, the Philadelphia Art Alliance, The Print Center, and the Pennsylvania Academy of the Fine Arts, among others, have contributed their expertise to this unique, collaborative celebration of our thriving artistic community.
-
|
- September 1627
-
|
- Bernarda Bryson Shahn:
- A Selection of Prints and Drawings (192898)
-
- Moore College Atrium
-
- Judith K. Brodsky, printmaker, professor of art, director of Rutgers Center of Innovative Print and Paper, has chosen the works for this exhibition from a larger retrospective originally organized by Nancy Einreinhofer, director at the Ben Shahn Gallery, William Paterson University.
|

|
- November 5
- December 15
-
- Opening Reception:
- Friday
- November 8
- 5:307:00 pm
-
-
|
- Raymond Hains: Art Speculator
- 5th Moore International Discovery Exhibition
- Paley and Levy Galleries
-
- Over five decades, Hainss work has been widely exhibited in museums and galleries across Europe; yet he remains virtually unknown in the U.S. Raymond Hains: Art Speculator has been organized in cooperation with the Musée national dart moderne, Centre Pompidou, and their curator for contemporary art, Christine Macel. The exhibition comprises 90 works: a survey of photographs, torn posters, sculpture, collages, installations; documentaries and experimental film; as well as new photographic, text, and Internet-based works inspired by American culture.
-
- Gallery Talk
- Informal talk by Christine Macel
- Wednesday, November 6, 11:3012:30pm
-
- Symposium:
- Raymond Hains: The Aesthetics of Coincidence
- Featuring guest curator Christine Macel, curator for contemporary art, Musée national dart moderne, Centre Pompidou, Paris; Tom McDonough, assistant professor of art history at Binghamton University, New York, and editor of Guy Debord and the Situationist International: Texts and Documents; Christian Schlatter, writer-philosopher, Paris; and Lynne Cooke, curator, Dia Center for the Arts, New York, moderator
- Saturday, November 9, 1:005:00 pm
- Moore Auditorium, $10/$5 students
- For more information, phone 215.965.4027
|

|
- January 21
- February 26
-
- Opening Reception:
- Friday
January 24
- 6:308:00 pm
-
-
|
- Gloria: Another Look at Feminist Art of the 1970s
-
- Paley and Levy Galleries
-
- A traveling exhibition that revisits feminist art of the 70s and explores its effect on younger generations, Gloria is co-curated by Catherine Morris, independent curator, New York, and Ingrid Schaffner, senior curator at the Institute of Contemporary Art, Philadelphia, and organized by White Columns in New York City. Gloria (the title refers to feminist icon Gloria Steinem) addresses the following questions: What approaches are valid for artists with feminist sensibilities thirty-plus years after the start of first-generation feminist art? How has the current cultural climate changed the methods and tactics necessary for this expression today? Why do many women artists today disavow the influence of feminism?
-
- Currency! Relevance! Power!
- Conversation led by the curators with Dana Birnbaum, Carolee Schneemann, and Mimi Smith.
- Friday, January 24, at 5:00 pm, prior to opening reception
- Moore Auditorium. Admission free.
-
- In Focus: Thirty Years Later
- Panel discussion featuring Penny Balkin Bach, Diane Burko, Judith Brodsky, Thora Jacobson, Ruth Locke Selzer, and Judith Stein
- Wednesday, February 5, at 6:00 pm
- Moore Auditorium. Admission free.
-
- Town Bloody Hall
- Video screening: introduced by Janet A. Kaplan
- Wednesday, January 29, 6:00 pm
- Moore Auditorium, admission free
-
- Not For Sale: Feminism and Art in the USA during the 1970s
- Video screening: introduced by Janet A. Kaplan
- Wednesday, February 12, 6:00 pm
- Moore Auditorium, admission free
|

|
- March 528
-
- Closing Reception:
- Friday
- March 28
- 7:008:00 pm
-
|
- Buddha Bum and Burning City:
- Two multimedia projects by Vera Lehndorff
- Goldie Paley Gallery
-
- The exhibition comprises a series of black and white photographs entitled Ash Self-portraits (1998) and two video installations from the 1990s, following Lehndorff’s collaborative work with painter and photographer Holger Trülzsch, which have been reconceived for the show. Reveling in science fiction and the grittiness of post-industrial urban life and responding to a global climate of conflict fueled by war and environmental malaise, Buddha Bum and Burning City depict an eerie portrait of a city in an apocalyptic world. Initially presented at MoMA/P.S. 1 in 2001, the works constitute the second segment of a two-part exhibition co-organized by Arcadia University Art Gallery (formerly Beaver College Art Gallery) and the Galleries at Moore.
Blow-Up directed by Michelangelo Antonioni (1966, 111min.)
16mm film screening co-presented with Secret Cinema
Friday, March 28, 8:0010:00 pm
Moore Auditorium
|

|
- March 526
-
- Reception:
- Friday
March 14
- 5:307:30 pm
-
|
- Spaces:
- Moore College of Art and Design Alumnae Exhibition 2003
-
- Levy Gallery
-
- Exhibition of work by graduates of Moore College of Art and Design.
-
-
-
-
|
- April 822
-
- Reception:
- Friday
- April 11
- 6:308:00 pm
-
|
- Student Exhibitions 2003
- Paley/Levy Galleries & Wilson Hall
-
- This annual exhibition gives students the opportunity to present and evaluate their artistic development in a professional setting. Works by first-year, sophomore, and junior students in all departments and all mediums. Juniors competing for travel fellowships are given a separate gallery space.
-
-
-
-
-
|
- April 30
- May 19
-
- Closing Reception:
- Sunday
- May 18
- 5:307:00 pm
-
- Fashion Show
- To be announced
|
- Prospects 2003: Emerging Artists & Designers
- Paley/Levy Galleries & Wilson Hall
-
- The culmination of four years of artistic training, this exhibition
features works in all mediums by graduating MCAD seniors, and salutes their
achievements as they move from academic to professional life.
|
|