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Calendar 2002–2003

 
November 2002 | January 2003 | March 2003 | May 2003 | Current
 
September 13–
October 20
 
Opening Reception:
Friday
September 13
7:30–10:00 pm
 
Greater Philadelphia
Greater Philadelphia: Work by Emerging Philadelphia Artists
 
Paley and Levy Galleries
 
This informal survey is intended as a snapshot of artists who are at or near the beginning of their careers. Curators from the Galleries at Moore, the Philadelphia Museum of Art, the Institute of Contemporary Art, the Philadelphia Art Alliance, The Print Center, and the Pennsylvania Academy of the Fine Arts, among others, have contributed their expertise to this unique, collaborative celebration of our thriving artistic community.
 

September 16–27
 
Bernarda Bryson Shahn
Bernarda Bryson Shahn:
A Selection of Prints and Drawings (1928–98)
 
Moore College Atrium
 
Judith K. Brodsky, printmaker, professor of art, director of Rutgers Center of Innovative Print and Paper, has chosen the works for this exhibition from a larger retrospective originally organized by Nancy Einreinhofer, director at the Ben Shahn Gallery, William Paterson University.

November 5–
December 15
 
Opening Reception:
Friday
November 8
5:30–7:00 pm
 
Raymond Hains
Raymond Hains: Art Speculator
5th Moore International Discovery Exhibition
Paley and Levy Galleries
 
Over five decades, Hains’s work has been widely exhibited in museums and galleries across Europe; yet he remains virtually unknown in the U.S. “Raymond Hains: Art Speculator” has been organized in cooperation with the Musée national d’art moderne, Centre Pompidou, and their curator for contemporary art, Christine Macel. The exhibition comprises 90 works: a survey of photographs, torn posters, sculpture, collages, installations; documentaries and experimental film; as well as new photographic, text, and Internet-based works inspired by American culture.
 
Gallery Talk
Informal talk by Christine Macel
Wednesday, November 6, 11:30–12:30pm
 
Symposium:
Raymond Hains: The Aesthetics of Coincidence
Featuring guest curator Christine Macel, curator for contemporary art, Musée national d’art moderne, Centre Pompidou, Paris; Tom McDonough, assistant professor of art history at Binghamton University, New York, and editor of Guy Debord and the Situationist International: Texts and Documents; Christian Schlatter, writer-philosopher, Paris; and Lynne Cooke, curator, Dia Center for the Arts, New York, moderator
Saturday, November 9, 1:00—5:00 pm
Moore Auditorium, $10/$5 students
For more information, phone 215.965.4027

January 21–
February 26
 
Opening Reception:
Friday
January 24
6:30–8:00 pm
 
more about Gloria: Another Look at Feminist Art of the 1970s
Gloria: Another Look at Feminist Art of the 1970s
 
Paley and Levy Galleries
 
A traveling exhibition that revisits feminist art of the ’70s and explores its effect on younger generations, “Gloria” is co-curated by Catherine Morris, independent curator, New York, and Ingrid Schaffner, senior curator at the Institute of Contemporary Art, Philadelphia, and organized by White Columns in New York City. “Gloria” (the title refers to feminist icon Gloria Steinem) addresses the following questions: What approaches are valid for artists with feminist sensibilities thirty-plus years after the start of first-generation feminist art? How has the current cultural climate changed the methods and tactics necessary for this expression today? Why do many women artists today disavow the influence of feminism?
 
Currency! Relevance! Power!
Conversation led by the curators with Dana Birnbaum, Carolee Schneemann, and Mimi Smith.
Friday, January 24, at 5:00 pm, prior to opening reception
Moore Auditorium. Admission free.
 
In Focus: Thirty Years Later
Panel discussion featuring Penny Balkin Bach, Diane Burko, Judith Brodsky, Thora Jacobson, Ruth Locke Selzer, and Judith Stein
Wednesday, February 5, at 6:00 pm
Moore Auditorium. Admission free.
 
Town Bloody Hall
Video screening: introduced by Janet A. Kaplan
Wednesday, January 29, 6:00 pm
Moore Auditorium, admission free
 
Not For Sale: Feminism and Art in the USA during the 1970s
Video screening: introduced by Janet A. Kaplan
Wednesday, February 12, 6:00 pm
Moore Auditorium, admission free

March 5–28
 
Closing Reception:
Friday
March 28
7:00–8:00 pm
 
Vera Lehndorff
Buddha Bum and Burning City:
Two multimedia projects by Vera Lehndorff
Goldie Paley Gallery
 
The exhibition comprises a series of black and white photographs entitled Ash Self-portraits (1998) and two video installations from the 1990s, following Lehndorff’s collaborative work with painter and photographer Holger Trülzsch, which have been reconceived for the show. Reveling in science fiction and the grittiness of post-industrial urban life and responding to a global climate of conflict fueled by war and environmental malaise, Buddha Bum and Burning City depict an eerie portrait of a city in an apocalyptic world. Initially presented at MoMA/P.S. 1 in 2001, the works constitute the second segment of a two-part exhibition co-organized by Arcadia University Art Gallery (formerly Beaver College Art Gallery) and the Galleries at Moore.
Blow-Up directed by Michelangelo Antonioni (1966, 111min.)
16mm film screening co-presented with Secret Cinema
Friday, March 28, 8:00–10:00 pm
Moore Auditorium
 

March 5–26
 
Reception:
Friday
March 14
5:30–7:30 pm
 
More information in February
Spaces:
Moore College of Art and Design Alumnae Exhibition 2003
 
Levy Gallery
 
Exhibition of work by graduates of Moore College of Art and Design.
 
 
 
 

April 8–22
 
Reception:
Friday
April 11
6:30–8:00 pm
 
Student Exhibitions
Student Exhibitions 2003
Paley/Levy Galleries & Wilson Hall
 
This annual exhibition gives students the opportunity to present and evaluate their artistic development in a professional setting. Works by first-year, sophomore, and junior students in all departments and all mediums. Juniors competing for travel fellowships are given a separate gallery space.
 
 
 
 
 

April 30–
May 19
 
Closing Reception:
Sunday
May 18
5:30–7:00 pm
 
Fashion Show
To be announced
Prospects 2003: Emerging Artists & Designers
Paley/Levy Galleries & Wilson Hall
 
The culmination of four years of artistic training, this exhibition features works in all mediums by graduating MCAD seniors, and salutes their achievements as they move from academic to professional life.

 
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