The Aesthetics of Coincidence

  Participants | Schedule | Location/Admission

A daylong symposium, co-organized by Christine Macel and Lynne Cooke. Curators, philosophers, and critics consider Raymond Hains’s historical context and continuing influence on a generation of international artists.

Symposium PARTICIPANTS

Lynne Cooke Curator, Dia Center for the Arts, New York (symposium moderator)
Christine Macel
 
Curator for contemporary art, Musée national d'art moderne,
Centre Pompidou, Paris (guest curator, catalog essayist)
Tom McDonough
 
 
Assistant professor of art history at Binghamton University, New York;
author of Guy Debord and the Situationist International: Texts and Documents (catalog essayist)
Christian Schlatter Writer and philosopher, Paris (catalog essayist)
Audience respondents:
Carlos Basualdo, independent curator and critic, New York; Ingrid Schaffner, senior curator, Institute of Contemporary Art, Philadelphia; Jelena Stojanovic, assistant professor of contemporary art and gallery director, Ithaca College, Ithaca, New York; Richard Torchia, director, Arcadia University Art Gallery, Glenside, Pennsylvania
Symposium SCHEDULE

Date Saturday, November 9, 2002
12:00 noon
 
 
Registration
Coffee in the Atrium
View Raymond Hains exhibition, films, and videos
1:00 pm
 

Convene in Moore Auditorium
Welcome, Molly Dougherty, Director of the Galleries at Moore
1:15-3:15 pm
 
 
 
 
Symposium Proceedings:
Christine Macel—“Introduction to the work of Raymond Hains”
Christian Schlatter—“A Free Mind in Paris: Raymond Hains and the Avant-Gardes: Lettrism and Situationism”
Tom McDonough—“1948: Raymond Hains and Limits of Surrealism”
3:15 pm
Break
3:30-5:00 pm

Roundtable discussion: panel, respondents, and audience

Symposium LOCATION/ADMISSION

 

  • Auditorium, Moore College of Art and Design,
    20th Street and The Parkway, Philadelphia, PA.
    Map
  • $10 admission/$5 students

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