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Publications Listed by Title*: N–Z |
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*Titles that begin with an artist's name are listed by last name. |
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The Philadelphia Ten:
A Women's Artist Group 1917–1945 |
Soft back $34.95 Hard back $49.95 |
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1993.
9" x 12". 175 pp. with 93 color pls. and 65 black
and white ills.
Text: Authors Page Talbott and Patricia Tanis Sydney
have provided in-depth biographical and critical essays
on each of the 30 women artists who showed with The Philadelphia
Ten from 1917 to 1945. In addition each color plate
is accompanied by a scholarly analysis.
More about the catalog SOLD OUT |
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Picturing Asian America:
A Collaborative Project Organized by Mei-ling Hom |
$5 |
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1994. 4¾" x 6½".
9 color postcards and folded text sheet.
Text: Introduction and Acknowledgments by Richard Torchia. More about the set |
| Elijah Pierce: Woodcarver | $30 |
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1992
Seattle:
University of Washington Press and Columbus Museum of Art (Ohio).
269 pp; 78 color plates and 173 b&w ills., soft back.
Text: “Elijah Pierce, Woodcarver: Doves and Pain in Life Fulfilled” by Gerald L. Davis, “Hands on Work: Style as Meaning in the Carvings of Elijah Pierce” by Michael D. Hall, “‘Your Life is a Book’: The Artistic Legacy of Elijah Pierce” by John F. Moe, “A Holy Place: A Tribute to Elijah Pierce” by Aminah Robinson, Catalog of the Exhibition (annotated), Annotated Checklist, Chronology, Bibliography, Preface by Merribell Parsons, Curators' Statement by E. Jane Connell and Nannette V. Maciejunes. More about the publication |
| Elena Presser: Transpositions | Sold out |
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19887. 11" x 8½". 12 pp. with 3
black
and white ills.
Text: “Notes and Interpretations: Elena Presser and Johann Sebastian Bach,” Rosalyn Tureck. Chronology/Biography, Exhibition Checklist. Foreword by Elsa Longhauser. More about the catalog |
| Arnulf Rainer | Sold Out |
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1989
Vienna:
ARGE Gabriele Wimmer & John Sailer.
161 pp; 88 color plates and 5 b&w ills., trade paperback.
Text: Acknowledgments by Thomas Krens, Acknowledgments by Rudi Fuchs, Foreword by Diane Waldman; “The Labyrinth” by Rudi Fuchs, “The Great Arch” by Franz Dahlem; ten texts by Arnulf Rainer: “Painting to Forsake Painting,” “Soliloquies,” “Face Farces,” “Even Before Language,“ “One Summer Sunday in 1973 I Was Ready: Gestural hand-Painting,” “The Painting as Partner: On Hand, Foot and Finger Painting,” “The Completely Dark Picture: Remarks on the Book Remnants,” “As If It Were Final,” “Lamentation”; Exhibition Checklist, Chronology, Selected Exhibitions, Selected Bibliography. More about the publication |
| Arnulf Rainer: Drawing on Death | $25 |
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1990. 11" x 8½". 35 pp. with 21
color pls.
Text:
“Images of Confrontation,” John T. Paoletti;
“Death and Art—One Aspect of Arnulf Rainer's
Work,” Otmar Rychlik. Bibliography,
Chronology/Biography, Exhibition Checklist. Foreword by Elsa Longhauser.
More about the catalog |
| The Heart of Creation: The Art of Martin Ramirez | $12 |
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1994.
8½" x 9½".
Philadelphia: The Galleries at Moore, 1985.
Photocopy. 48 pp. with 36 b&w ills. Text: “Radiant Space: The Art of Martin Ramirez” by Roberta Smith; “Martin Ramirez: A Visionary's Journal” by Russell Bowman; and “Martin Ramirez: Psychological Hero” by Stephen Martin; selected exhibition history, selected bibliography, and exhibition checklist. Foreword by Elsa Longhauser. More about the publication |
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Recherché: James Brantley, Moe Brooker, Charles Burwell Syd Carpenter, Nanette Acker Clark Walter Edmonds, Carolynn Hayward-Jackson, Jimmy Mance, Hubert Taylor |
$20 |
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1990. 9" x 9".
31 pp. with 8 color pls. and 12 black
and white ills.
Text:
“Recherché: Explorations,” Edmund Barry Gaither;
“A New Visibility,” Moe Brooker.
Brief biographies, Exhibition Checklist.
Foreword by Richard Torchia; Afterward by Sande Webster.
More about the catalog |
| David Reed, Graz, New Paintings for the Mirror Room and Archive in a Studio off the Courtyard by David Reed | $35 |
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1996
Graz: Neue Galerie Graz am landesmuseum Joanneum.
64 pp; 20 color pls., and 118 b&w ills.,
trade soft back
Text: “60 Fractions of Wegohn” by by Michael Madore, “Journal” by David Reed, “Phantom Painting” by Peter Weibel, and “Blood in the Mirror” by Hanne Loreck. On the endleaves: Fax to David Reed from Günther and “Entre Terre et ciel” entretien avec Carl T. Dreyer par Michel Delahaye. More about the publication |
| David Reed—Painting/Vampire Study Center: Is looking at an abstract painting similar to a vampire’s not reflecting in a mirror? | $35 |
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1996
Philadelphia: Galleries at Moore.
15 loose pages in envelope; 2 pp. of color ills., 4 pp. of b&w ills.
Text: Introduction by Elsa Longhauser and diagrams and notes from the artist’s journal More about the publication |
| David Reed Paintings: Motion Pictures | $35 |
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1998
San Diego: Museum of Contemporary Art
96 pp; 50 color pls., and 22 b&w ills.,
trade soft back.
Text: “David Reed: Painting in the Age of Electronic Media” by Elizabeth Armstrong, “Black on White: Paintings by David Reed” by Paul Auster, “David Reed’s Coming Attractions” by Dave Hickey, and “David Reed’s #275: A Story of Erotic Vision” by Mieke Bal. Acknowledments by Elizabeth Armstrong; foreword by Hugh M. Davies, with an exhibition checklist, artist’s chronology, exhibition history. More about the publication |
| Dieter Roth: Printed Pressed Bound | $45 |
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1994.
7¼" x 9½".
Köln: Oktagon, 1998.
Trade soft back. 197 pp. with 87 color pls. and 166 b&w ills. Text: “My Eye Is a Mouth” by Felicitas Thun, “Was That Something—On the Poetry of Dieter Roth” by Ferdinand Schmatz, and “Conversation with Dieter Roth, Basel, February 1998” by Felicitas Thun. Selected list of books by Roth, biography, selected exhibitions, bibliography, index, preface by Konrad Oberhuber. In German and English. More about the catalog |
| Jean-Frédéric Schnyder: Paintings | $25 |
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1994.
8½" x 11". 42 pp. with 9 color pls. and 124 black
and white ills.
Text: Biography, Matthew Singer;
“Jean-Frédéric Schnyder,” Jean-Christophe Ammann;
“Dritchi,” Toni Gerber;
“Prose of the World,” Maureen Sherlock;
Interview with the artist by Josef Helfenstein.
Bibliography, Chronology/Biography, Exhibition Checklist.
Foreword by Elsa Longhauser. More about the catalog |
| Roman Signer: Works | $25 |
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1996. 8½" x 11".
32 pp. with 8 color pls. and 20 black
and white ills.
Text:
Introduction by Bice Curiger;
“Sculpting Time,” Max Wechsler;
“The Sound of One Bomb Clapping,” Kristine Stiles;
“Sherlock, Jr.,” William Horrigan.
Exhibition Checklist,
Selected Exhibition History, Selected Bibliography. Foreword and Acknowledgments
by Elsa Longhauser. More about the catalog |
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John Sloan/Robert Henri: Their Philadelphia Years (1886–1904) |
$30 |
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1976. 9" x 9". 64 pp. with 31
black
and white ills.
Text: "John Sloan writes on Robert Henri. Chronology/Biography, Exhibition Checklist. Foreword by Dianne Perry Vanderlip. More about the catalog |
| Bram Stoker's Dracula: calalog of the centennial exhibition at the Rosenbach Museum & Library | $15 |
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1997
Philadelphia: Rosenbach Museum & Library.
12 b&w ills., Soft back with illustrated jacket; front jacket illustration by Maurice Sendak.
Text by Wendy Van Wyck Good: “Beginnings,” “Henry Irving, “Influences,” “‘Count Wampyr,’” “Whitby,” “Transylvania,” “The Vampire Novel,” “‘The Un-Dead’,” “‘Dracula,’”. Foreword by Stephen K. Urice, Introduction by Nina Auerbach; Provenance by Elizabeth E. Fuller; with selected bibliography. More about the publication |
| 1848/Student Show/1998: Selections, Lists, Awards, Announcements Presented by Andrea Fraser | $10 |
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1997.
11" x 8&3189;". 40 pp. with 15 black
and white ills.
Text: President's Note by Barbara Gillette Price. Foreword by Elsa Longhauser. Introduction by Andrea Fraser. Additional text selected by Andrea Fraser from the Moore College Archives 1848–1998. More about the catalog |
| Steve Tobin: The Glass Garden | $20 |
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1996. 9" x 12".
10 pp. with 14 color pls..
Text:
“An Appreciation,”
Paul V. Gardner;
“Visions That Won't Stand Still,”
Irvin J. Borowsky and Laurie Wagman;
“Notes on ‘The Glass Garden’,”
Steve Tobin.
Selected
Biography, Selected Exhibition History,
Selected Bibliography. Foreword by Richard Torchia.
More about the catalog |
| Luc Tuymans | $20 |
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1994
Toronto:
Art Gallery of York University.
105 pp; 31 color plates and 14 b&w ills., 5” x 7”, soft back.
Text: Foreword by Loretta Yarlow; “Intoxicating Void” by Gregory Salzman, “A Little Hell: Introducing Luc Tuymans” by Peter Schjekdahl, “Superstition” by Luc Tuymans, Robert Van Ruyssevelt, “Presence in Remembrance” by Hans Rudolf Reust, Exhibition Checklist, Exhibition Chronology, Bibliography. More about the publication |
| Pat Ward Williams: Probable Cause | $15 |
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1992. 8½" x 11".
32 pp. with 14 black
and white ills.
Text: “Pat Ward Williams: Photography and
Social/Personal History,” Kellie Jones;
“A Witness of Our Times:
Politics and Commemoration in the Art of
Pat Ward Williams,” PMoira Roth.
Exhibition Checklist. Foreword
by Elsa Longhauser. More about the catalog |
| The World of Adolf Wölfli—The Other Side of the Moon | $40 |
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1988. 11" x 8½".
64 pp. with 30 color pls. and 5 black
and white ills.
Text: “The Art of Adolf Wölfli: An Introduction,”
Elka Spoerri; “Adolf Wölfli,”
Carter Ratcliff; “Adolf Wölfli: Poet and Writer,” Jürgen
Glaesemer; “No Catastrophe without Idyl, No Idyl without Catastrophe,”
Harald Szeemann; “Wölfli Undisguised: The Wolf's Clothing of Tiny Wolf,”
Jurg Laederach; “Identity of Representation and the Represented in the
Art of Adolf Wölfli,” Theodor Sporri; “In the Doll House of the Sun on the
Prairies of the Moon,” Howard Hussey. Also includes correspondence between
Rainer Maria Rilke and Lou Andreas-Solome. Bibliography, Chronology/Biography,
Exhibition Checklist. Foreword by Elsa Longhauser.
More about the catalog |
| Barbara Zucker: For Beauty's Sake | $10 |
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1996. 12" x 8". 8-page folded pamphlet with 6 black and white ills.
Text: “Barbara Zucker: For Beauty's Sake,”
Joachim Neugroschel. Artist's Statement. Foreword by
Elsa Longhauser. Exhibition Checklist, Selected
Bibliography, Selected Exhibition History.
More about the brochure |
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Moore College of Art and Design |
