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Marlene Dumas

 
Marlene Dumas

 
Philadelphia: The Galleries at Moore, 1993. LCC: 89-084230. 8 pp; 5 b&w ills., exhibition history checklist. Foreword by Elsa Longhauser. Soft back $10 plus s/h [ISBN 1-58442-011-1]. 1993. 8½" x 11". 8 pp. with 5 black and white ills.
Text: “Marlene Dumas: The Good, the Bad, and the Ugly,” Jolie van Leeuwen. Exhibition: “Marlene Dumas” (November–December 17, 1993). Traveled to: The Arts Club of Chicago (February–March 5, 1994); Art Gallery of York University, Toronto, Ontario (April 6–May 15, 1994).

Catalog for the exhibition of the same name held at the Galleries at Moore, November–December 17, 1993. The exhibition traveled to the Arts Club of Chicago (February–March 5, 1994)and the Art Gallery of York University, Toronto, Ontario (April 6–May 15, 1994).

South African-born Marlene Dumas uses figurative painting to convey what is lies beneath the subject's surface—raw emotion, painful history, sexual tension, and jaded humor. Her loosely drawn figures, often combined with text, confound and incite the viewer. The catalog includes “Marlene Dumas: The Good, the Bad, and the Ugly,” an incisive essay by writer-curator Joie van Leeuwen as well as a provocative artist's statement.

Read “Marlene Dumas: The Good, the Bad, and the Ugly,” Jolie van Leeuwen.

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