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Vienna:
NÖ Landesmuseums and Haus der Künstler, 1990. 170 pp; 46 color plates and 173 b&w ills., soft back. $45 plus
s/h [ISBN 3-85460-029-1].
Catalog for the exhibition Künstler aus Gugging which originated at the Niederösterreiches Landesmuseum and was shown at the Galleries at Moore, September 6October 13, 1991.
Text includes
The Haus der Künstler by Leo Navratil,
The Haus der Künstler from 1983 to 1990 by Johann Feilacher,
Art and Psychosis by Michel Thévoz;
;
Biographies, Selected Bibliography.
To purchase call 215-965-4027
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Visa, Mastercard, check, or moneyorder (payable to The Galleries at Moore/MCAD)
The Galleries at Moore
Moore College of Art & Design
20th Street & The Parkway
Philadelphia, PA 19103
Booksellers may return purchased books for a period of up to 2 months following the invoice date.
From the catalog:
I was employed at the Heil- und Pflegeanstalt Gugging . . . in 1946, immediately after my graduation . . . and am thankful for it. Where else would I have been able to discover the artists Johann Hauser and Oswald Tschirtner, the poet Ernst Herbeck, the versatile August Walla! Leo Navratil
The south front of the house . . . was decorated by the artists in 1983. In 1988 they have also painted large parts of the east front. Johann Fischer chose Eve as a theme, Oswald Tschirtner birds, Franz Kamlander various animals. August Walla painted a deity and went over figures by Oswald Tschirtner once more, which the latter had drawn on the side parts of the wall with a thick felt pen years ago and which were already strongly bleached. Johann Garber filled the edges of the wall with representations of insects and also painted a sky with an aeroplane, clouds, and stars. Arnold Schmidt put two red-white figures in the middle of the wall, directly above the entrance.
Johann Feilacher
If it is true that Genius is infinite refound childhood (Baudelaire) then genius is likewise the activity of an adult who has rediscovered the ability to play with the psychotic dispositions of his childhood which so far had been repressed in adulthood. Michel Thévoz
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