Philadelphia:
The Galleries at Moore, 1997. LCC: 98-70724. 20 pp;
5 color pls. $20 plus
s/h [ISBN 1-58442-027-8].
Catalog for the exhibition of the same name Originating at
the Galleries at Moore (May 27July 31, 1998), the exhibition
traveled to the Cleveland Center for Contemporary Art
(September 9November 1, 1998).
Includes The Content-Driven Abstraction of Moshe Kupferman
by Allan Schwartzman; Abstraction and Time:
On the Painterly World of Moshe Kupferman by Benjamin Harshav;
selected
biography, exhibition checklist, selected exhibition history;
foreword by Elsa Longhauser.
To purchase call 215-965-4027
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About Moshe Kupferman:
Moshe Kupferman creates powerful abstract paintings.
He infuses beauty and life into a personal landscape shaped
by his experience as a Holocaust survivor.
Born in Poland in 1926, Kupferman spent World War II
in the Ural and Kazakhstan internment camps.
The only member of his family to survive, he emigrated
to Israel in 1948 and helped establish Kibbutz Lohamei Hagetaot
(Ghetto Fighters' Kibbutz),
where he continues to live and work today.
Through Kupferman's
enduring association with the kibbutz movement and his
commitment to the activity of painting as an essential
daily labor, the artist effectively integrates an aesthetic
dimension into his philosophy of life.
First I put in emotion and expression.
Then I cover it up. Then I put in silence.
Art critic Arturo Schwarz regards Kupferman's aesthetic
of silencethe silence of memories and restrained
emotionsas an effort to conceal, the better to reveal.
The artist alternately paints and wipes away layer upon layer.
He relies upon violet, black, and white pigment, and occasionally
green, imbuing each color with its own associations.
Like the changing sky, Kupferman's subtle
manipulation of color emphasizes the transitional
character of events, emotions, and life.
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