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In 1986, Williams is appointed one of the official photographers for the North Avenue Centennial Project, organized by the Baltimore Folklorist Association, whose intent is to record the appearance of this Baltimore neighborhood before its renewal. Williams takes official documentary photos and creates North Avenue Project, a more personal response.
North Avenue and its surrounding neighborhood had fallen into disrepair. But as gasoline prices rise for commuters
from the white suburbs, this black neighborhood is too close to the center of Baltimore to continue in this state of benign neglect.
The window in the piece is a metaphor for prophecy Through this window North Avenue is pictured as segmented by and compressed between two forces. At the top are the steel and glass windows symbolizing downtown interests; below; the cracked sidewalks and the trash on the
street show negative aspects of a neglected community The most prophetic aspect of the image is the almost complete disappearance of black people from the picture, both literally and figuratively My prediction is that North Avenue will be segmented and distorted, as it is in this work, until
its original appearance and character have vanished [1987].
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