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1968, expanded cinema and mirror
16-mm film (original 8mm), 1:40 min., endless loop
Collection of Generali Foundation, Vienna
The projected image is reflected in a mirror placed at a right angle to the screen. The image of a boxer hitting a punching bag is projected onto the screen in such a way that the bag is at the edge of the frame where it meets the mirror. The mirror, however, creates the effect of the boxer fighting himself
Roswitha Mueller, VALIE EXPORT: Fragments of the Imagination
Splitscreen is reduction through doublingtwo images from one projector. In The Man with the Camera, Vertov identifies the act of doubling in Mannerist painting [Da Vinci, Dali, Clerici, Micciota] as a characteristic of cinematography; he liked to be filmed at the edge of store windows.
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